Each week, Weird Things’ own Matt Finley breaks down one of the oddest elements of our culture in a feature we call Monster Of The Week. This week we chronicle the Great Lake Monster Hoaxes. Monday we looked at the hoax that defined a town.
The Lake George Monster never saved a town. It didn’t herald a tourism boom or lure swarms of industrialists to the shores of Hague Bay. It doesn’t funky chicken around the sidelines of any public school basketball courts. And Lake George isn’t known as “Home of the Lake George Monster,” but rather as “Gateway to the Adirondacks.” Credit where credit is due, though, the Lake George Monster is probably the most extreme point (short of boat murder) to which a friendly fishing contest has ever escalated.
In 1904, Harry Watrous, a professional painter, made a bet with his friend, Colonel William Mann, the editor of an infamous gossip rag, over who could reel in a larger trout. And so it began. The men fished on the lake, often in sight of each other, each one determined to fish better, harder, faster than the other. In retrospect, that Mann decided to cheat shouldn’t have come as a surprise.
The paper the Colonel edited, “Town Topics,” once a respectable arts and leisure magazine, had, under Mann, become an inky mire of high society gossip and scandal-mongering. Mann’s ploy to avoid libel charges? Print standard, sometimes even complimentary, articles about known New York society members on the front of a page, then, on the flip side, directly lined up with the corresponding fluff pieces, run scandalous news about the same individuals, sans identification. Anyone who knew how to read the paper – and anyone who was anyone did – could easily match the public figures to the defaming rumors. “Town Topics,” of course, stayed in business by collecting bribes from guilty parties who wished to keep their faux pas private. Still, when Watrous finally identified the hulking monster of a trout that Mann casually held up from inside his own fishing craft, and later, in a ridiculous display of bravado, exhibited in his house, as a sculpted and painted hunk of wood, he swore revenge.
Like the Rhinelander Hodag, the Lake George Monster began life as a chunk of wood (specifically, a cedar log). Using bits of glass, metal and wood, Watrous affixed eyes, ears and a toothy snout to the 10-foot-long log, which he then painted in alternating yellow and black stripes. Also, white teeth, red mouth, red nostrils, and blue (yes, blue) ears. (Later, Watrous would repeatedly refer to his creation as a “Hippogriff”- the mythical offspring of a griffin and a mare, and noble companion to the Boy Who Lived – but I’m not seeing it.) He rowed out to an area of the lake frequented by his friend and nemesis, and rigged up the creature to a simple pulley system – a 100-foot-rope anchored to a rock on the shore.
Then he waited.
MUCH MORE… AFTER THE JUMP
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