Golems, zombies and familiars – three cultures worth of mystical servants rendered, willingly or by force, from the wilds of nature and the bare, lumbering essence of humanity. This Monday, Wednesday and Friday – His Master’s Voice.

Today: Golems

A standby of early Jewish legend, Golems – humanoid beings shaped from clay and imbued with a mystical life force – were said to serve holy men, and could be used protect the Jewish people during times of conflict and social unrest. The most famous golem tale is set during a rash of anti-Semitic riots in Prague, where a racist priest incited his followers to storm the Jewish ghettos. In response, Judah Loew ben Bezalel, a powerful Rabbi, summoned a golem and commanded it to defend his people and assist in rebuilding their ruined homes. The golem was so devoted to his protective mission that he began violently attacking Catholic inciters, forcing Bezalel to return him to an inanimate state.

According to golem aficionados, a regular human can only shape the Earth into a figure of a man; a practiced, fervent Rabbi can, through a sacred ritual – usually a Hebrew inscription etched into the creature’s head or onto a scrap of parchment pressed into the golem’s body – give the figure life as a conscripted servant of God; God, and only God, can provide a soul, thus converting the being from an earthen grunt into a free-thinking man. Scripture actually portrays Adam as the first golem, a status he retained for only the briefest 12 hours between his construction and his ensoulment.

Not all golem lore is all half-guilty persecutor-maiming victory and triumph–even in the 1600s, many Jewish scholars felt that the ability to divinely summon life was a power that only God should possess. As these authors transcribed their interpretations of Jewish legends, classic golem stories became less about triumphant brandishing of sacred energy and more about the steep price that comes with divine dabbling, a narrative that Mary Shelly echoed in response to the foolhardy bravura of intermittently resurrection-obsessed Romantic Age science. It’s these tales of well-meaning hubris run amok that German filmmaker Paul Wegener embraced in his golem trilogy, the last of which, 1920’s “The Golem: How He Came into the World” immortalized the image of Bezalel’s creature setting fire to the ghetto and laying waste to Prague’s already-suffering Jewish community.

Wednesday – Zombies

Twitter this